If you know me at all, you know I love all things COLOR. This micro elopement session made my creative heart so happy. Not only did I get another chance to photograph Anisett and Jason (the dream couple from this Sunset Cliffs couples session), but I also got to play with all sorts of artsy techniques while hosting a conversation about how to confidently and beautifully photograph melanin skin.
This elopement photoshoot was set up as a demo for Light + Melanin, my workshop for photographers who want more diversity in their portfolio, but don’t feel confident shooting or editing darker skin tones.
As a black woman (and a photographer) one of my biggest pet peeves is seeing the ways that other photographers edit black skin, and how they’re totally disrespecting darker skin tones… You can’t just make us all oversaturated and orange! Whatever they’re using as a preset, they do not have darker skin in mind. So many of my frustrations are tied to the fact that people honestly DON’T KNOW. I want to try to alleviate that lack of information with education.
Thus, Light + Melanin was born! This is my SOUL project, and I am so excited about it. From lighting and photo presets, to inclusivity in marketing and avoiding tokenism, this workshop addresses ALL OF IT.
To demonstrate the concepts behind Light + Melanin, I arranged three photo sessions with VERY different lighting situations, ideal for teaching photographers to shoot and edit darker skin tones.
I want to teach students to learn and conquer light, and understand how crucial it is for capturing melanin skin. Obviously there have not been any big weddings happening this year, so this felt like a good time to showcase what we can do with a micro elopement or a small wedding.
Anisett and Jason are so much fun to photograph. Just look at these two!! Their love shines through in any setting.
One of the best things about this mini elopement session was how much variation we could get within the same venue. From shooting Anisett’s gorg boho gown against the romantic black and white floral wallpaper, to artistic shots of the bride and groom surrounded by vibrant, translucent colorfields… hard to believe that we shot all of this within one venue.
We set up the most glorious rainbow backdrop for the bride and groom, complete with velvet chairs and boho rugs down the aisle. Like… give me ALL THE COLOR. I love that we went full maximalist rainbow wedding vibes for this mini elopement. So unexpected, and literally made my colorfully magic dreams come true with this setup. and I could NOT have done it without the dopest team on the whole damn planet. Looking back at this session makes my artsy heart so full.
Photographers: did you miss out on the in-person Light + Melanin workshop? I’ve got you covered. The online Light + Melanin video workshop covers 20 lessons about photographing and editing diverse skin, perfect for photographers who want to thoughtfully address diversity and tokenism in your portfolio.
Stay tuned for part two of this shoot, where we go from full color glory to love in black and white.
Anisett wore a Rue de Seine gown that paired perfectly with the maximalist vibe of the black and white floral wallpaper. The Lesser Bear ribbon on Anisett’s bouquet is so extra — just look at all that GOLD popping against Jason’s bright white Asos tux.
That bold, rainbow hued backdrop? NBD, just the team at Wild Heart Events working their colorful magic. Can’t forget the rentals from Folklore, and table decor from Catalog Atelier. The florals are a dreamy collab between floral powerhouses A.H.R. Florals and Best Bud Floral. And have you ever seen anything like that colorful terrazzo-inspired cake from Nicole Bakes Cakes?
We held this photoshoot at Flora, a beautifully bougie wedding venue in the Gaslamp District of San Diego. The space is elegant, but still enough of a blank slate for us to get artsy with the visuals. Stay tuned for part two of this photoshoot, which has a totally different vibe.
Amidst all the hype and planning for Light + Melanin, a friend reached out to me and said, “Hey, I love where this conversation is going, but can we also talk about the black LGBTQ community? Because they are not represented at all.” I have to say, this was not really on my radar, but she’s right. Black LGBTQ couples don’t always see their stories told.
The first two photoshoots for Light + Melanin were FULL COLOR MAGIC. So when I had the opportunity to photograph Crowne and Kris for an elopement session, you know the Gemini in me had to completely switch it up. I’m avidly against the assumption that all LGBTQ weddings have to be filled with rainbows. Like, HELLO. Some couples have their own style that does not include rainbows. We are not all the same, and that’s the beauty of life. I was excited that the brides were down with a more elegant aesthetic.
I wanted to give a new modern spin on what a modern black and white wedding could look like. No cheesy stereotypes of what a lesbian wedding is “supposed” to be. This photoshoot was more restrained and monochromatic than the colorful micro elopement I shot with Anisett and Jason earlier that day. Two completely separate shoots going on.
Crowne and Kris have been together for more than half a decade, and their ease with each other made this shoot something special. What a joy to celebrate black love, and see their devotion shine in these photos.
I mean… look at these two!! Smiles and skin glowing as bright as those gold palm fronds. Looking back at these photos gives me all the feels.
Light + Melanin was something I’d been planning FOREVER, but 2020 had other plans (ugh, COVID! So rude.) This photo session with Crowne and Kris was an opportunity to demonstrate how I shoot and edit melanin skin (while also capturing the love between this beautiful black couple). Ugh, I LOVE my job.
If you missed out on the in-person workshop and wanna join in, I’ve got ya boo: the workshop is now available online as a video course! The video workshop covers 20 lessons about shooting and editing darker skin tones. Light + Melanin has been a long time coming so I am PUMPED to be leading a conversation around race and diversity in the photography industry.
This photoshoot was part two of our demo at Flora, the most beautifully bougie wedding venue in the Gaslamp District of San Diego. Can you believe this is the same space from our wild rainbow elopement?? For this shoot, Back Up Backdrops created an elegant, boho backdrop inspired by handcrafted African mudcloth patterns. LOVE the vibe combined with the golden wheat fans.
Can’t forget the rentals from Folklore. The flowers, including the absolutely bananas orchid earring, are the work of floral genius A.H.R. Florals. The brides were shining in black and white. Crowne wore a beautiful Rue de Seine gown and Kris looked gorgeous in her modern bridal jumpsuit from Asos.
Okay so let me just take a second to thank COVID… I know what you’re thinking… Erica… WHAT?! But hear me out for a second. Yes, COVID sucks, yes, it has tested us in more ways than we ever thought imaginable, but it’s also made us appreciate all the things we have been taking for granted. For example, I don’t know about you, but I didn’t realized how much I actually needed to be touched. Like, I’m a hugger so not being able to hug my friends and family took a serious toll on my emotional health. But it also made me really cherish the little moments – the time I’d spent just watching tv with my mom, the days that my boyfriend had off and we would just send each other songs., random trips to World Market (don’t @ me). But the biggest thing that I didn’t think would affect my heart so much, was photographing people.
Let’s be clear, ya girl was doing just fine during Quarantine. I had a little nest egg saved up so I wasn’t too worried about income. But OH MY HEART CAME BACK TO LIFE WHEN I PHOTOGRAPHED THESE LOVERS!!!!
I just moved into my first apartment in May (I know, bananas!!). It’s the cutest freaking little neighborhood on the planet, and what made it even better is all of my sweet neighbors. *Cue Anisett + Jason*. Met them, instantly fell in love with them, begged them to let me photograph their faces lol. (Can you tell I’m trying really hard not to say the word “shoot”?) I feel like the word “shooting” and black people can’t mix anymore, even in a photography setting, but that’s another blog post.
ANY who. These sweet souls have been together FOREVER. I can’t even give you a number because they always were, and always will be. They are the perfectly beautiful example of how strong and loving and playful and adventurous love is and is supposed to be. They sum up Walt Whitman’s quote perfectly,
“We were together, I forget the rest”.
Ohhh i’t’s been a minute since I’ve been in the studio. But this modern chic maternity session was just what I needed to get that constricted creative flow back. You may recognize this gloriously stylish mama, she is the Nigerian blogger goddess known as Tutu.
When she reached out and said she wanted something clean, chic and modern to do her maternity session and family portraits with her husband Tim and son tiny Tim, we know a studio location was the right move. You guys, I cannot exaggerate enough how much this session GAVE ME LIFE. I was dead, and this resurrected me. The style, the couple, tiny freaking Tim?! Omg do you see how cute and excited this child is that he’s having a little sister?! And these suits?! I die. This shoot reminded me that location isn’t everything, connection is. And I freaking love this job.
Looking for a photographer to create a boldly modern look for your maternity shoot? Lookin no further, I got chu boo.